{"id":4234,"date":"2017-04-26T01:25:41","date_gmt":"2017-04-26T01:25:41","guid":{"rendered":"http:\/\/www.bridgetoeverywhere.org\/?page_id=4234"},"modified":"2017-05-09T21:18:19","modified_gmt":"2017-05-09T21:18:19","slug":"steve-reich-at-80","status":"publish","type":"page","link":"https:\/\/www.bridgetoeverywhere.org\/steve-reich-at-80\/","title":{"rendered":"Steve Reich at 80"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default”][divider line_type=”No Line” custom_height=”30″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”2\/3″ tablet_text_alignment=”default” phone_text_alignment=”default”][vc_column_text]\n
Philip Graulty<\/strong><\/a>, guitar and\u00a0tape Bridge to Everywhere co-directors Philip Graulty<\/strong> and Marc Nimoy<\/strong>\u00a0pay tribute to genre-defying\u00a0composer Steve Reich<\/strong> on his\u00a080th birthday year. From some of Reich’s most-performed compositions to pieces\u00a0that are rarely played, Graulty and Nimoy employ classical and electric guitars, laptops, and hand claps to highlight a body of work that spans five decades.<\/p>\n Steve Reich was recently called \u201cour greatest living composer\u201d (The New York Times), \u201cAmerica\u2019s greatest living composer.\u201d (The Village VOICE), \u201c\u2026the most original musical thinker of our time\u201d (The New Yorker), and \u201c\u2026among the great composers of the century\u201d (The New York Times). From his early taped speech pieces,\u00a0It\u2019s Gonna Rain<\/em>(1965) and Come Out<\/em> (1966), to his and video artist Beryl Korot\u2019s digital video opera Three Tales<\/em> (2002), Reich\u2019s path has embraced not only aspects of Western Classical music, but the structures, harmonies, and rhythms of non-Western and American vernacular music, particularly jazz.\u00a0read more \u00bb<\/a>[\/vc_column_text][divider line_type=”No Line” custom_height=”30″][image_with_animation image_url=”4370″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”][divider line_type=”Small Line” line_thickness=”1″ divider_color=”default” custom_height=”60″][vc_column_text]\n Reich<\/strong>: Pendulum Music\u00a0(1968) * * pre-concert installation<\/em>[\/vc_column_text][divider line_type=”Small Line” line_thickness=”1″ divider_color=”default” custom_height=”60″][vc_column_text]\n
\nMarc Nimoy<\/strong>, guitar and\u00a0laptop[\/vc_column_text][divider line_type=”Small Line” line_thickness=”1″ divider_color=”default” custom_height=”60″][vc_column_text]\nAbout this\u00a0Performance<\/h3>\n
Program<\/h3>\n
\nReich<\/strong>: Electric Guitar Phase (2000)
\nReich<\/strong>: My Name Is (1967)
\nReich<\/strong>: Nagoya Guitars (1996)
\nReich<\/strong>: Electric Counterpoint (1987)
\nReich<\/strong>: Clapping Music (1972)<\/p>\nPlan Your Visit<\/h3>\n